Last December D Young V and I decided we would go to Thailand. There wasn’t any real reason for this, but there wasn’t any real reason not to. Bangkok is hot. It’s hot in December, it’s hot at 3am. Bangkok also never stops. It’s busy at noon and it’s busy at 3am. It’s one of those cities that doesn’t require you to have any energy, it has it’s own current. All you have to do is step into it and you’ll get carried along. To that extent the trip seemed less like 16 days and more like one really long day punctuated by intermittent naps. That was 4 months ago. I would describe all the things I did and saw, but it’s a dense kind of experience and honestly, I don’t remember a lot of it. There is this sort of high humidity fog over that part of my memory and I do remember some things that may not have actually happened. We’re very isolated in the U.S., something I never really cared for. For a few weeks while Dave and I were in Thailand the world was big again. Really big and really strange.
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Our buddy Night Owl invited D Young V and I to do a piece for this project over by The Cottonmill Studios in Oakland back in July. It was a good Friday followed by a free barbecue Saturday. The City of Oakland even kicked in a few bucks on supplies for this project (I’m not sure who arranged that) and I will always take city money cuz they ALWAYS take mine.
Last month I did the artwork for the cover of this Month’s Sierra Magazine. This was really an ideal situation. It’s a rare opportunity to get to work with a group as important as the Sierra Club. I also had the freedom to simply take this project and do what I do. Really, it was an ideal working environment. It’s always satisfying to be able to do your art while contributing to something you truly support. Some of you from San Francisco’s art community may recognize the model I used for the cover.
D young V and I collaborated of this piece in November. The Original piece is a 16×20 foot mural that was created as a part of Oakland’s First Fridays gallery walk. The Mural was reproduce on a 1 inch to 1 foot scale as a 16×20 inch Giclee print on 300lb Itlaian made cold press watercolor paper. This VERY limited edition print is a run of 20 only. Each print is signed by both artists and numbered.
Available at fiftyseven-thirtythree
Our good friend Nite Owl got us involved with this project for Art Murmur Oakland. A 16×20 ft wall to do whatever the fuck we pleased with. D young V and I only had a couple of days to bang this out . I actually like short deadlines because it cuts through all the bullshit and indecision. You just get it done. Awesome group of artists too. Nite Owl, Filth and Grime, Aura, Roar, 7seas, croma, onedr, Lydia Emily etc….
I’m Trying to play catch up here. So Back in the end of September, Hugh Leeman and I drove down to LA to do a couple of pieces for Fountain LA. Being cheap motherfuckers we crashed on 2wenty’s floor for a few days. It was a fun couple of days and a great group of artists. Chor Boogie, Cryptik, Carly Ivan Garcia, and Ian Ross were all in attendance. As per my new M.O. we got out of there before the opening.