In the Spring of this year, when there were massive PPE shortages among frontline COVID workers, I started contacting friends in China, Hong Kong and Cambodia to see if I could buy masks and supplies to donate to some of the hardest hit areas. While the United States government dragged its feet, unable to offer even basic protection to health care and other essential workers, I, as an ordinary citizen, was able to purchase around 1000 masks and distribute them to hospitals in need. It wasn’t particularly difficult, this administration simply lacked the will to protect the very people who were keeping us safe and risking their own well being. I spoke with hospital workers at the time who were reusing disposable masks for 4-5 days of 12 hour shifts. The very people who risked their own health everyday to keep us safe could not even be provided with the most basic items to allow them to perform their work safely.
This print “Forsake” is in response to that experience. “After forsaking you, they will call you hero in their speeches” is written across each image. It’s indicative of the sanctimonious gestures of this administration and politicians in general. While the essential workers were little more than an afterthought, their efforts are co-opted as public relations campaigns for leaders who failed to lead.
1Xrun and myself will use 100% of the purchase price of these to procure PPE and distribute it this coming Fall. Many in the medical field have suspected there may be a second wave of COVID this Fall. If I have learned anything from the Spring, it is not to assume this administration has any sort of plan or is even moderately prepared for this. Together, 1xrun and myself would like to be out in front of this and help. Should there be a second wave, the funds from the sale of this work will have created a small stockpile of PPE that we can quickly distribute to the facilities that need them most. That is the very least we can offer in appreciation of the relentless efforts of frontline workers.
By purchasing this print you are actually purchasing PPE to keep these workers safe and helping us stay prepared for the coming months.
“Without Excuse” is a piece I made while I was at the Jardin Orange artist residency in Shenzhen, China in 2018.
I spent a lot of time in Shenzhen, roaming around abandoned buildings collecting old signs and posters and billboards. I don’t read Chinese, so I had no idea what was written on any of these things. I also never asked anyone to interpret any of it until pieces were completed. What I was trying to do was tell something about a place through what was discarded or left behind, while also juxtaposing that with some of my salvage portraits. Much of the material in this piece came from an abandoned office building at the beginning of August 2018. By the time I left Shenzhen, the building was well on it’s way to being apartments. Things change fast in Shenzhen.
The original piece is 50×66 inches (125 x 168cm) on a section of vinyl billboard I found being used as a tarp in the abandoned office building. The title “Without Excuse” comes from the line of small text just to the left of the figures head which literally says “Refuse to accept excuse” which was pinned to an office wall. The large main text in red and blue translates as “wonderful exquisite life”. Additional pieces collaged onto the piece read “Crane for rent”, “Make more money”, “Good business and prosperity”, and there is even a small newspaper headline about “President Xi”. In some ways these discarded things do describe the ethos of Shenzhen. Shenzhen was China’s first Special Economic Zone, an experiment by China with market capitalism. It is literally a manufactured city. In 1979 in was little more then a fishing village with a population of 60,000. 40 years later, it is a city of 13 million and the manufacturing center of the world. Shenzhen is at the center of China’s exponential economic growth. It is a boomtown like no other. In many ways the random text I collected illustrate the dream that Shenzhen presented; hard work, wealth, business development. In that sense, it was my most successful experiment in telling the story of a place by combining random discarded things. Things whose meanings were only told to me after the piece was finished. The addition of the Salvage portrait makes the piece a cautionary tale about the fragility of that unbridled growth. The age old boom to bust scenario that we never really seem to accept as more than coincidental or circumstantial.
Each of these prints have been hand painted and contain the number of the edition in Chinese characters at the bottom right corner. Near the left edge, the edition number is also painted into the existing background in English. Making these 40 variations was one of the most enjoyable studio projects I have done in recent years.
And a whole bunch of other heavies. They asked me to do the poster for the Missoula Montana Show At the Wilma theatre. I wanted to do something special that really expressed how I feel about Montana, so I did an image of Hong Kong.
Here’s the poster, Which goes on sale HERE at 9am on May 14th
There’s also a Hand embellished variant of 5 available HERE
Another brilliant project from the darkness of Zoltron’s mind.
D Young V, Hugh Leeman and myself are preparing up for our opening of Epilogue at Hold Up Art Sept. 8th. On Sept, 4th our first collaborative work will drop at 1xrun.com. It’s a limited edition (30) print hand embellished by all the artists. Each print is unique and the edition number is incorporated into the design of each image. Get it here
There will also be a 2nd color way available opening night at the gallery. A super limited edition of 10
Radio Yau Ma Tei is my newest that I created specifically for release at 1xrun. After talking with Jesse at 1xrun we decide we wanted to do something different from a typical limited edition. These print started out as giclees on 300lb acid free water color paper. After that there were really embellished in a lot of different ways. Every print was drawn on with pencils, markers and mop pens and part of the image were overpainted with acrylics. They were then tea stained and airbrushed in 6 different colors. At this point the prints were distressed using sandpaper and steel wool and the text was screen printed onto the image. The test roughly translates as “I have a name but it doesn’t matter”
In addition to the 20 embellished prints there were an additional 3 prints made with the text gold leafed in 22kt gold. This print will be released on 1xrun.com on April 25th. You can see it here
If you want to achieve greatness stop asking for permission.
Ambition 2 color hand screened poster.
This is a limited edition of 50 signed and numbered
Printed in Black and Metallic Gold on 110 lb Cranes 100% Cotton Rag
Now Available at fiftyseven-thirtythree.com