These will go on sale Tuesday August 30th at 9am PST and 18h CEST HERE
Ambition Silver 18×24 inches (46x61cm)
2 color Serigraph on 100lb (270gsm) Cover stock
edition of 100 signed and numbered with certificate of authentication
These were printed with a metallic silver ink, because of it’s reflective nature the text changes depending on the angle of light and your position to the print. The paper used is 100% post consumer recycled and certified forest friendly from The French Paper Company in Michigan. The facility is run by its own in-house Hydro-electric power. This renewable power has avoided 700,000 tons of carbon dioxide emissions. Surplus power is supplied to the local community. The inks used are water based solvent free acrylic.
We all need to start making better informed decisions about what we consume and it’s impact, even artists. Recently I have begun thinking more and more about the materials I use and finding some really good solutions and alternatives. I’m happy to be discovering better ways to print and better materials to reduce waste and pollution. I know this is a small step but a worthy step. As the consequences of climate change continue to have catastrophic results I will do my part to try to continue to find better solutions in my art process and give collectors something they can feel better about owning as well.
I had a good time making these hand embellished Ambition prints. There are only a dozen of them and each one has a unique background. These will go on sale May 20th at 9am PST HERE
Ambition – Spilt Milk Edition
18×24 hand embellished multiple 1 color hand pulled serigraph
Edition of 12 – each piece is unique
Signed and numbered with certificate of authenticity
Printed of French Paper, Kraft tone 100lb cover stock
This paper is 100% Post consumer recycled and FSC certified.
The Forest Stewardship Council (FSC), is a non-profit organization that sets certain high standards to make sure that forestry is practiced in an environmentally responsible and socially beneficial manner.
As a Pow Wow Hawaii Alumni I was asked to be part of 1xrun’s Pow Wow Hawaii Print Series this year. I decided to do an edition of the piece I did at Pow Wow 2012.
I produced 2 versions of the “Ambition” image as chemical etched metal plates. Each plate is .030″ and 16×20 inches They are available in stainless steel, edition of 100 and Brass edition of 15. Each edition is signed and numbered and comes with a certificate of authenticity from myself and 1xrun. These drop Monday, February 22nd at 12noon PST. The brass edition is available HERE and the stainless steel edition is HERE
The etching process gives the surface an engraved or intaglio of the image which is then filled with paint. I choose this process to give the pieces some weight and dimensionality and create an object more than a print.
There is very little to be said about Paris that has not been said before. It is a city of stunning beauty created out of endless care and pride. Rather than attempt to describe it adequately I’ll sum it up in one story.
At the recommendation of my friend Steven Ballinger I had lunch at Musee Jaquemart-Andre. It’s a beautiful place to have lunch. However, at the end of the meal I ordered desert. It was some kind of rose flavored meringue thing. Actually I’m not sure what the fuck it was, the menu was in french and I don’t speak french. What arrived appeared to be more ornamental than edible. It was this beautiful pink and gold sculpture, so beautiful that it seemed wrong to plunge a fork into it and destroy it. I do though, derive some pleasure from doing things that seem wrong. Keep in mind, I am not a foodie in any way. I consider 7-11 a restaurant. With the first bite still in my mouth everything became clear. I thought “holy shit, if I could bake something like this, I too, would look down at America”. It was that good. It was a fucking pastry that negated 200 years of American exceptionalism. Paris gets things right. Period end of story.
Last December D Young V and I decided we would go to Thailand. There wasn’t any real reason for this, but there wasn’t any real reason not to. Bangkok is hot. It’s hot in December, it’s hot at 3am. Bangkok also never stops. It’s busy at noon and it’s busy at 3am. It’s one of those cities that doesn’t require you to have any energy, it has it’s own current. All you have to do is step into it and you’ll get carried along. To that extent the trip seemed less like 16 days and more like one really long day punctuated by intermittent naps. That was 4 months ago. I would describe all the things I did and saw, but it’s a dense kind of experience and honestly, I don’t remember a lot of it. There is this sort of high humidity fog over that part of my memory and I do remember some things that may not have actually happened. We’re very isolated in the U.S., something I never really cared for. For a few weeks while Dave and I were in Thailand the world was big again. Really big and really strange.
Last month I did the artwork for the cover of this Month’s Sierra Magazine. This was really an ideal situation. It’s a rare opportunity to get to work with a group as important as the Sierra Club. I also had the freedom to simply take this project and do what I do. Really, it was an ideal working environment. It’s always satisfying to be able to do your art while contributing to something you truly support. Some of you from San Francisco’s art community may recognize the model I used for the cover.
D young V and I collaborated of this piece in November. The Original piece is a 16×20 foot mural that was created as a part of Oakland’s First Fridays gallery walk. The Mural was reproduce on a 1 inch to 1 foot scale as a 16×20 inch Giclee print on 300lb Itlaian made cold press watercolor paper. This VERY limited edition print is a run of 20 only. Each print is signed by both artists and numbered.
Our good friend Nite Owl got us involved with this project for Art Murmur Oakland. A 16×20 ft wall to do whatever the fuck we pleased with. D young V and I only had a couple of days to bang this out . I actually like short deadlines because it cuts through all the bullshit and indecision. You just get it done. Awesome group of artists too. Nite Owl, Filth and Grime, Aura, Roar, 7seas, croma, onedr, Lydia Emily etc….
I’m Trying to play catch up here. So Back in the end of September, Hugh Leeman and I drove down to LA to do a couple of pieces for Fountain LA. Being cheap motherfuckers we crashed on 2wenty’s floor for a few days. It was a fun couple of days and a great group of artists. Chor Boogie, Cryptik, Carly Ivan Garcia, and Ian Ross were all in attendance. As per my new M.O. we got out of there before the opening.