Tag Archives: print release

“Without Excuse” Hand Painted Edition Release

Type: Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper

Size: 18 x 24 Inches

Edition Size: 40

Available HERE at 1XRUN

“Without Excuse” is a piece I made while I was at the Jardin Orange artist residency in Shenzhen, China in 2018.

I spent a lot of time in Shenzhen, roaming around abandoned buildings collecting old signs and posters and billboards. I don’t read Chinese, so I had no idea what was written on any of these things. I also never asked anyone to interpret any of it until pieces were completed. What I was trying to do was tell something about a place through what was discarded or left behind, while also juxtaposing that with some of my salvage portraits. Much of the material in this piece came from an abandoned office building at the beginning of August 2018. By the time I left Shenzhen, the building was well on it’s way to being apartments. Things change fast in Shenzhen.

The original piece is 50×66 inches (125 x 168cm) on a section of vinyl billboard I found being used as a tarp in the abandoned office building. The title “Without Excuse” comes from the line of small text just to the left of the figures head which literally says “Refuse to accept excuse” which was pinned to an office wall. The large main text in red and blue translates as “wonderful exquisite life”. Additional pieces collaged onto the piece read “Crane for rent”, “Make more money”, “Good business and prosperity”, and there is even a small newspaper headline about “President Xi”. In some ways these discarded things do describe the ethos of Shenzhen. Shenzhen was China’s first Special Economic Zone, an experiment by China with market capitalism. It is literally a manufactured city. In 1979 in was little more then a fishing village with a population of 60,000. 40 years later, it is a city of 13 million and the manufacturing center of the world. Shenzhen is at the center of China’s exponential economic growth. It is a boomtown like no other. In many ways the random text I collected illustrate the dream that Shenzhen presented; hard work, wealth, business development. In that sense, it was my most successful experiment in telling the story of a place by combining random discarded things. Things whose meanings were only told to me after the piece was finished. The addition of the Salvage portrait makes the piece a cautionary tale about the fragility of that unbridled growth. The age old boom to bust scenario that we never really seem to accept as more than coincidental or circumstantial.

Each of these prints have been hand painted and contain the number of the edition in Chinese characters at the bottom right corner. Near the left edge, the edition number is also painted into the existing background in English. Making these 40 variations was one of the most enjoyable studio projects I have done in recent years.

Eddie Colla

“Can’t breathe The Sky” Print release

Can't-Breathe-the-sky.jpgThis Print drops Tuesday Jan.19th 2016 @10:30am PST. You can get it on Derbby.com HERE

Derbby has a unique model for sales. The print retails for $149, however at the beginning of the sale the price starts at $25 and rises based on the number of sales. Meaning if you get to the site early you can get it for $25-30.

New Print Drop at Derbby.com

I am releasing this new print “No More Prayers to say” tomorrow Dec. 1st at 10:30 PST.  You Can find it HERE

Eddie-Colla--No-More-Prayers-to-say

Derbby has a unique model for sales. The print retails for $149, however at the beginning of the sale the price starts at $25 and rises based on the number of sales. Meaning if you get to the site early you can get it for $25-30.

This piece is a continuation of a body of work called “atavisms” which deals with survival, strength, and adaptability.
All of the pieces in this series are portraits designed to engage the viewer in a very direct way and to reflect upon inner strength.
The text “no more prayers to say” is about wishing away certain inevitabilities. It is about crossing the threshold from a period of danger to a period of consequence.

 

Epilogue prints release

D Young V, Hugh Leeman and myself are  preparing up for our opening of Epilogue at Hold Up Art Sept. 8th. On Sept, 4th our first collaborative work will drop at 1xrun.com. It’s a limited edition (30) print hand embellished by all the artists. Each print is unique and the edition number is incorporated into the design of each image. Get it here

 

There will also be a 2nd color way available opening night at the gallery. A super limited edition of 10

 

Eddie Colla X D Young V – limited Edition print release

D young V and I collaborated of this piece in  November. The Original piece is a 16×20 foot mural that was created as a part of Oakland’s First Fridays gallery walk. The Mural was reproduce on a 1 inch to 1 foot scale as a 16×20 inch Giclee print on 300lb Itlaian made cold press watercolor paper. This VERY limited edition print is a run of 20 only. Each print is signed by both artists and numbered.

Available at fiftyseven-thirtythree